FACULTY OF FINE ARTS AND DESIGN
Department of Interior Architecture and Environmental Design| Course Name |
Design Studio I
|
|
Code
|
Semester
|
Theory
(hour/week) |
Application/Lab
(hour/week) |
Local Credits
|
ECTS
|
|
IAED 201
|
Fall
|
2
|
6
|
5
|
8
|
| Prerequisites |
None
|
|||||
| Course Language |
English
|
|||||
| Course Type |
Required
|
|||||
| Course Level |
First Cycle
|
|||||
| Mode of Delivery | face to face | |||||
| Teaching Methods and Techniques of the Course | DiscussionGroup WorkProblem SolvingCritical feedbackJuryField trip / ObservationLecture / Presentation | |||||
| National Occupation Classification | - | |||||
| Course Coordinator | ||||||
| Course Lecturer(s) | ||||||
| Assistant(s) | - | |||||
| Course Objectives | Elaborates and studies the design of basic structural objects by considering the development and execution of aesthetical, visual, cultural, structural and functional details, as well as interior and environmental factors. Special focus is given to small scale spatial and environmental organization. |
| Learning Outcomes |
The students who succeeded in this course;
|
| Course Description | The course is based on lectures, Homework, demonstrations, discussions and homework, which try to elaborate within a framework of critical thinking, elements of design and the awareness of basic concepts, factors, functions, materials and design methods for multi-scaled three-dimensional projects. Lectures, demonstrations, and studio exercises explore the basics of 3D designing from color, form and shape to the process of design. |
| Related Sustainable Development Goals |
|
|
|
Core Courses |
X
|
| Major Area Courses | ||
| Supportive Courses | ||
| Media and Management Skills Courses | ||
| Transferable Skill Courses |
| Week | Subjects | Related Preparation |
| 1 | FIRST PHASE: 1.1. * Introduction to IAED 201, project brief, semester syllabus, and sustainability. * Lecture: Biophilic Design * Lecture: Connecting first and second years. 1.2.* Presentation: Interior Design Concept * Discussion of concept and scenario * Student presentations. | * Homework: Research on existing space. |
| 2 | 2.1. * SITE TRIP 2.2. * Discussion on project space. Compulsory opening concert trip. | * Research of what Biophilic Design is and advantages. * Research on technical site trip |
| 3 | 3.1. * Biophilic Design Concept Statement Development 3.2. * Discussion on the project space, building, and drawings. * Discussion of Volumetric Analysis (basic 1/100 model of the existing space), Individual Critiques | * Concept development; Concept, mood board, scenario |
| 4 | 4.1. * Preparation for the First Review: Individual Critiques 4.2. * Preparation for the First Review: Individual Critiques | * Project revision |
| 5 | 5.1. * First Review: Concept development: Concept, mood board, scenario 5.2. * First Review: Concept development: Concept, mood board, scenario | * Preparation for the first review: spatial development |
| 6 | SECOND PHASE: 6.1. * Lecture: Spatial Bubble Diagrams * Individual critiques. * Classwork: Spatial Development: Layout of the complex (1/200) and close surrounding, graphic scheme of the building (1/50), bubble diagrams, volume 3D, sketching plans and sections 6.2. * Critiques * Spatial Development: Layout of the complex (1/200) and close surrounding, graphic scheme of the space (1/100), bubble diagrams, volume 3D, sketching plans and sections | *Project revision Requirements: * Sketch Model * Layout of the whole building (1/200) * Design proposal (1/50) * Bubble diagram * Volume 3D * Sketching plans and sections |
| 7 | 7.1. * Lecture: Landscape* Classwork: Technical Drawings and Model: Plans, sections, elevations, model 7.2. * Classwork: Technical Drawings and Model: Plans, sections, elevations, model | * Homework: Project Revision * Technical Drawings and Model * Preparation for the second review: Technical drawing and model |
| 8 | MIDTERM WEEK, NO CLASS | |
| 9 | 9.1. * Lecture: Color and texture as tools for expressing concept and atmosphere in interiors 9.2. * Individual Critiques | * Homework: Color strategies for selected developed individual concepts. * Homework: Interiors 3D Representation: Material, Furniture, Lighting |
| 10 | 10.1. * 2nd Review: Technical Drawings and Model: Plans, sections, elevations, model (1/100) 10.2. * 2nd Review: Technical Drawings and Model: Plans, sections, elevations, model (1/100) | Preparation for the second review: * Plans * Sections * Elevations * Model |
| 11 | THIRD PHASE: 11.1. * Lecture: Material Board (On mattoboard) * Classwork: Interior Decisions and 3D Representation: Material, Furniture, Lighting 11.2. * Classwork: Detailing and 3D Representation: Material, Furniture, Lighting * Individual Critiques | * Homework: Revise Project and scale to 1/50 * Homework: Detailing and 3D Representation: Material, Furniture, Lighting |
| 12 | 12.1. * Interiors and 3D Representation: Material, Furniture, Lighting 12.2. * Interiors and 3D Representation: Material, Furniture, Lighting | * Preparation for the classwork: Interiors and 3D Representation Requirements: * Materials and material board * Furniture * Lighting |
| 13 | FOURTH PHASE: 13.1. * Finalization and detailing: Interiors and 3D Representation: Material, Furniture, Lighting Individual Critiques (1/50 Plan, 2 sections, 4 elevations with the indication of material, color, and texture) * Classwork: Detailing and 3D Representation: Material, Furniture, Lighting 13.2. * Individual Critiques | * Project revision |
| 14 | 14.1. * Individual Critiques 14.2. * Long Individual Critiques (Make up for 1/1/27) | * Project revision |
| 15 | Final Review | * Final Review preparation |
| 16 | Semester Review | * Project revision and folder submission |
| Course Notes/Textbooks |
|
| Suggested Readings/Materials | Abercrombie, S. Philosophy of Interior Design. Oxford: Westview, 1990. Ching, F. D. K. Interior Design Illustrated. NY: John Wiley & Sons, 2005. De Chiara, J. Panero, J., Zelnik, M., Time-Saver Standards for Interior Design and Space Planning. New York: McGraw-Hill, 2001. Kilmer, W. O. Kilmer, R., Hanessian, S. Construction Drawings and Details for Interiors: Basic Skills. NJ: John Wiley & Sons, 2001. Laseau, P. Graphic Thinking For Architects and Designers. New York: John Wiley & Sons, 2001. McGowan, M. Kruse, K. 2004. Interior Graphic Standards. Hoboken, N.J.: J. Wiley. Mitton, M., Interior Design Visual Presentation: A Guide to Graphics, Models and Presentation Techniques. NY: John Wiley, 2004. Pile, J. F. Color in Interior Design. New York: McGraw-Hill, 1997. Pile, J. F. Interior Design. NJ: Prentice Hall, 2003. Pile, J. F. Perspective for Interior Designers. NY: Watson-Guptill, 1989. Riggs, J. R. Materials and Components of Interior Architecture. NJ: Prentice Hall, 2007. Abitare, AD, Architectural digest, Architectural Lighting, Architectural Record, Architecture d'Aujourd'hui, Arredamento Mimarlık, Best of Best İçmimarlık (BOB), Detail: Zeitschrift für Architektur & Baudetail & Einrichtung XXI, Display & Design Ideas, Domus: Architecture/design/art/communication, Interior Design, Interiors, Intra-Interiors for Designers and Architects, Natura, Newdesign Tasarım: Mimarlık İçmimarlık ve Peyzaj Mimarlığı Dergisi/Review of Architecture, Design, Landscape, The Architectural Review, Yapı: Mimarlık, Kültür ve Sanat Dergisi - - - FILMS IN WHİCH "THE DESIGNED SPACE STEALS THE SCENE": Metropolis, Matrix, Ghost Writer, Sleuth, The Royal Tennenbaums, A Trip to the Moon, Locke, Citizen Kane, Vertigo, Breathless, Women on the Verge of a Nervous Breakdown , Solaris, Yusuf Trilogy, Be Kind Rewind, The Cell, Yeraltı |
| Semester Activities | Number | Weigthing |
| Participation |
1
|
5
|
| Laboratory / Application | ||
| Field Work | ||
| Quizzes / Studio Critiques | ||
| Portfolio | ||
| Homework / Assignments | ||
| Presentation / Jury |
1
|
45
|
| Project |
1
|
50
|
| Seminar / Workshop | ||
| Oral Exams | ||
| Midterm | ||
| Final Exam | ||
| Total |
| Weighting of Semester Activities on the Final Grade |
3
|
100
|
| Weighting of End-of-Semester Activities on the Final Grade | ||
| Total |
| Semester Activities | Number | Duration (Hours) | Workload |
|---|---|---|---|
| Theoretical Course Hours (Including exam week: 16 x total hours) |
16
|
2
|
32
|
| Laboratory / Application Hours (Including exam week: '.16.' x total hours) |
16
|
6
|
96
|
| Study Hours Out of Class |
14
|
2
|
28
|
| Field Work |
0
|
||
| Quizzes / Studio Critiques |
0
|
||
| Portfolio |
0
|
||
| Homework / Assignments |
0
|
||
| Presentation / Jury |
1
|
42
|
42
|
| Project |
0
|
||
| Seminar / Workshop |
0
|
||
| Oral Exam |
0
|
||
| Midterms |
0
|
||
| Final Exam |
42
|
0
|
|
| Total |
198
|
|
#
|
Program Competencies/Outcomes |
* Contribution Level
|
|||||
|
1
|
2
|
3
|
4
|
5
|
|||
| 1 |
To be able to perform, execute and manage the various responsibilities and duties of an interior architecture and environmental design professional |
-
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-
|
-
|
X
|
-
|
|
| 2 |
To be able to recognize, analyze and integrate within their practice the particular local and regional needs and developments of their profession |
-
|
X
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-
|
-
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-
|
|
| 3 |
To be able to communicate and collaborate with other individuals and groups on a national and international level within their profession |
-
|
-
|
-
|
X
|
-
|
|
| 4 |
To be able to develop, integrate and promote independent critical approaches for their professional practice |
-
|
X
|
-
|
-
|
-
|
|
| 5 |
To be able to understand the social and environmental issues and responsibilities of their profession |
X
|
-
|
-
|
-
|
-
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|
| 6 |
To be able identify, assess and utilize the most up to date research, innovations, trends and technologies |
X
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-
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-
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-
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-
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| 7 |
To be able to consider the national and international standards and regulations of their field |
-
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-
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-
|
-
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-
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| 8 |
To be able to develop the abilities to communicate and present design ideas within visual, oral and textual formats |
-
|
X
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-
|
-
|
-
|
|
| 9 |
To be able to adopt a multidisciplinary approach to design on a national and international level |
-
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-
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-
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-
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-
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| 10 |
To be able to recognize their own strengths, and develop them within an environment |
-
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-
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-
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-
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-
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| 11 |
To be able to collect data in the areas of interior architecture and environmental design and communicate with colleagues in a foreign language |
-
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-
|
-
|
X
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-
|
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| 12 |
To be able to speak a second foreign at a medium level of fluency efficiently |
-
|
-
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-
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-
|
-
|
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| 13 |
To be able to relate the knowledge accumulated throughout the human history to their field of expertise |
-
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-
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-
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-
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-
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*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
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