FACULTY OF FINE ARTS AND DESIGN

Department of Interior Architecture and Environmental Design

FFD 111 | Course Introduction and Application Information

Course Name
Drawing and Representation
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
FFD 111
Fall
0
4
2
4

Prerequisites
None
Course Language
English
Course Type
Required
Course Level
First Cycle
Mode of Delivery -
Teaching Methods and Techniques of the Course Discussion
Problem Solving
Critical feedback
Field trip / Observation
Lecture / Presentation
Field work/Application
Course Coordinator
Course Lecturer(s)
Assistant(s) -
Course Objectives This course introduces basic drawing techniques and is designed to increase the students' observation skills and develop basic drawing skills. Emphasis is placed on the fundamentals of both perceptual and conceptual drawings using freehand technical drawing as a method
Learning Outcomes The students who succeeded in this course;
  • To apply drawing skills both in real or imaginary situations with rendering techniques.
  • To accurately communicate the way objects and spaces look in two dimension
  • To develop the ability to express design ideas through drawing.
  • To develop a basic vocabulary of drawing and some ability to speak about individual work.
  • To develop effective studio work habits (punctuality, time management, regular submission, coming equipped to class, appropriate studio behaviour).
Course Description The course introduces freehand drawing both in real or imaginary situations with rendering techniques that are used to accurately communicate the way objects and spaces look in three dimensional projections. Conceptual and presentational drawings and rendering in mixed media will be covered

 



Course Category

Core Courses
X
Major Area Courses
Supportive Courses
Media and Management Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Related Preparation
1 Introduction, Gesture and Contour Drawing (Exercise 1) Presentation and In-class Exercise
2 Solid-Void Contour Drawing Surface Drawing, Shading And Texture (Exercise 2) Presentation and In-class Exercise
3 Materials - Shading And Texture (Exercise 3) In-class Exercise
4 Mid-Term 1
5 Orthographic Projection 1 (Exercise 4) Presentation and In-class Exercise
6 Plan Oblique Derived From Sections (Exercise 5) In-class Exercise
7 Orthographic Projection 2 (Exercise 6) In-class Exercise
8 Paraline Drawing; Isometric Proj. (30/30) 1 (Exercise 7) Presentation and In-class Exercise
9 Paraline Drawing; Isometric Proj. (30/30) 2 (Exercise 8) In-class Exercise
10 Mid-Term 2
11 Linear Perspective 1 (Exercise 9) Asynchronous Presentation and Exercise
12 Linear Perspective 2- One-point (Exercise 10) In-class Exercise
13 Linear Perspective 3 - Two-point (Exercise 11) In-class Exercise
14 Final Review Quiz In-class Exercise
15 Semester Review
16 Final Exam

 

Course Notes/Textbooks

Ching, F. D. K. Architectural Graphics. John Wiley & Sons: NY, 2003. ISBN-13: 978-0470399118, ISBN-10: 9780470399118

Suggested Readings/Materials
  • Ching, F. D. K. Design Drawing. John Wiley & Sons: NY, 1998, ISBN-13: 978-0470533697, ISBN-10: 0470533692

  • Ching, F. D. K. Architectural Graphics. John Wiley & Sons: NY, 2003. ISBN-13: 978-0470399118, ISBN-10: 9780470399118

  • Powell, D. Presentation Techniques: A Guide to Drawing and Presenting Ideas, MacDonald Illustrated, London, 2002, ISBN-10: 9780316912433, ISBN-13: 978-0316912433

  • Laseau, P. Graphic Thinking for Architects and Designers. John Wiley & Sons, NY, 2001. ISBN-10: 0471352926, ISBN-13: 978-0471352921

  • Laseau, P. Freehand Sketching: An Introduction, NY, Norton, 2004. ISBN-13: 978-0393731125, ISBN-10: 9780393731125

  • Lin. M. W. Drawing and Designing with Confidence: A Step-By-Step Guide. John Wiley & Sons: NY, 1993. ISBN-13: 978-0471283904, ISBN-10: 9780471283904

  • Betti, C. Sale, T. Drawing- A Contemporary Approach. Thomson Learning, 1997. ISBN: 0030703395.

  • Box, Richard. Basic Drawing Techniques, Tunbridge Wells: Search Press, 2000. ISBN-10: 9781844488902, ISBN-13: 978-1844488902

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
Laboratory / Application
Field Work
Quizzes / Studio Critiques
-
-
Portfolio
Homework / Assignments
1
30
Presentation / Jury
Project
Seminar / Workshop
Oral Exams
Midterm
2
40
Final Exam
1
30
Total

Weighting of Semester Activities on the Final Grade
3
70
Weighting of End-of-Semester Activities on the Final Grade
1
30
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Theoretical Course Hours
(Including exam week: 16 x total hours)
16
0
Laboratory / Application Hours
(Including exam week: '.16.' x total hours)
16
4
64
Study Hours Out of Class
0
Field Work
0
Quizzes / Studio Critiques
-
0
Portfolio
0
Homework / Assignments
1
24
24
Presentation / Jury
0
Project
0
Seminar / Workshop
0
Oral Exam
0
Midterms
2
4
8
Final Exam
1
4
4
    Total
100

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

To be able to perform, execute and manage the various responsibilities and duties of an interior architecture and environmental design professional

X
2

To be able to recognize, analyze and integrate within their practice the particular local and regional needs and developments of their profession

3

To be able to communicate and collaborate with other individuals and groups on a national and international level within their profession

X
4

To be able to develop, integrate and promote independent critical approaches for their professional practice

X
5

To be able to understand the social and environmental issues and responsibilities of their profession

6

To be able identify, assess and utilize the most up to date research, innovations, trends and technologies

7

To be able to consider the national and international standards and regulations of their field

8

To be able to develop the abilities to communicate and present design ideas within visual, oral and textual formats

X
9

To be able to adopt a multidisciplinary approach to design on a national and international level

10

To be able to recognize their own strengths, and develop them within an environment

X
11

To be able to collect data in the areas of interior architecture and environmental design and communicate with colleagues in a foreign language

12

To be able to speak a second foreign at a medium level of fluency efficiently

13

To be able to relate the knowledge accumulated throughout the human history to their field of expertise

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 


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